MoMA – New York/NY ART BOOK FAIR

Paris – Point Éphémère/Salon Light #7

P3 Ambika – London/Sunday Fair

KW – Berlin/Miss Read

Momentary Monument is Turin-based artist Lara Favaretto’s first artist’s book,
an extension of her project of the same title, which was shown as part of the exhibition “Making Worlds / Fare Mondi” in the 53rd Venice Biennial, curated
by Daniel Birnbaum. Including texts by Daniel Birnbaum and Chris Sharp, this publication expands the project shown at the Venice Biennial. It is divided into three parts: the first is a prologue, explaining how a swamp is created; the central part tells the stories of twenty disappeared individuals, characters such as Dutch artist Bas Jan Ader, who was lost in sea in 1975; and an epilogue describing the change in the surrounding landscape of the swamp, which doesn’t quite look
the same.

Lara Favaretto (born Treviso, Italy, 1973) lives and works in Turin. Her works have been featured in the Sydney, Sharjah and Venice Biennials, the Torino Triennial, and exhibited in Castello di Rivoli, MOCA Los Angeles, and Palais de Tokyo, Paris.

Edited by Paolo Caffoni
Hardcover, 15 × 21 cm
English text
384 pages
30.00 eur

Der Themenkatalog is Reto Pulfer’s first artist’s book. It is a selection of preparatory works and unique handmade print works reproduced here for the first time. It is a catalogue, an indexical attempt to bring together works and texts
in categorical order. Der Themenkatalog includes a critical text by curator Francesco Pedraglio, as well as literary texts by Reto Pulfer.

Reto Pulfer (born Bern, 1981) is a Berlin-based artist, whose work has been featured in exhibitions in institutions such as Kunsthalle Bern, ExtraCity, Antwerp, the Chelsea Art Museum, New York, and Stedelijk Museum Bureau, Amsterdam.

Edited by Francesco Pedraglio and Reto Pulfer
Co-published with FormContent, London
Hardcover, 32 × 24 cm
English/German text
48 pages
18.00 eur

The Witness accompanies the exhibition All the Memory of the Worldat GAM, Turin. This group exhibition includes works by artists whose practice entails various means of historical reconstruction, its implications, and the instruments
for the recording and filing of historical events. The Witness is a reader, a selection of texts investigating the relationship between different historical methods, art
and images.

Edited by Elena Volpato and Paolo Caffoni
Softcover, 12 × 20 cm
English/Italian text
312 pages
10.00 eur

The Exhibitionist is a journal focusing solely on the practice of exhibition making.
Its objectives are to create a wider platform for the discussion of curatorial
concerns, encourage a diversification of curatorial models, and actively contribute
to the formation of a theory of curating. Issue No. 1, for example, includes texts
by curators on historical exhibitions; assessments of the 11th Istanbul Biennial
from four different viewpoints; texts reconsidering the idea of the solo show;
and texts by curators who discuss the curatorial process of recent exhibitions
they have worked on.

Edited by Jens Hoffmann, Tara McDowell
Editorial Board: Okwui Enwezor, Paul O’Neil, Maria Lind,
Jessica Morgan, Dorothea von Hantelmann,
Mary Jane Jacob, Adriano Pedrosa, Connie Lewallen
English text
Published biennially
10.00 eur

A newspaper printed on the occasion of the exhibition The Fourth Wall at
Koch Oberhuber Wolff in Berlin. The newspaper includes texts and images from
Von Wedemeyer’s archive, as well as new material, interviews, and articles,
all used to develop the ideas behind the Forth Wall project. It is a collection
of research material and commentaries meant to serve as a guide for the exhibition.
It includes texts by Francesco Manacorda Angelika Stepken, Anne M. Lovell, Sylvia Schedelbauer, Paolo Caffoni and Clemens von Wedemeyer.

Clemens von Wedemeyer (born Göttingen, Germany, 1974) is the recipient
of awards such as the German competition at Internationale Kurzfilmtage
Oberhausen as well as the Karl-Schmidt-Rottluff-Stipendium. His work
has recently been exhibited at KW, Berlin, MoMA, New York, GAM, Torino
and The Barbican, London.

Edited by Paolo Caffoni and Clemens von Wedemeyer
Co-published with Spector Books, Leipzig
English text
8 pages